Tag Archive for: energetic dynamic abstract paintings

(Published April 2016) Meeting in the Middle – the title of Aleta Pippin and Greg Reiche’s first collaborative piece, which now hangs in a corporate office building in Houston, Texas. Spanning over 12 feet long and reaching over 3 feet high, this monumental work merges Aleta’s acrylic and resin abstract panels with Greg’s kinetic glass and steel grids. Aleta and Greg have been showing their work alongside each other at Aleta’s gallery – Pippin Contemporary (closed 12/31/2019) for three years, but the idea to create a piece together didn’t transpire until about six months ago.Aleta Pippin in her studio

Greg Reiche assembling sculptureA group of attorney’s in Houston, who have collected 26 of Aleta’s paintings so far, contacted Aleta last November 2015 to request a very large piece for their conference room.

“I wanted to give them something extraordinary,” said Aleta. “I felt that individual panels was the way to go, but it seemed that making three or five individually painted panels simply wasn’t as dramatic as it could be.”

Then something clicked, and that’s where Greg came in.

“I have to admit, I was surprised when Aleta asked if I would like to collaborate on this piece,” explains Greg. “I have great admiration for her work and was quite flattered by the request, but was also a bit skeptical at first as to whether it would work well.”

They decided early on that Aleta would create the painting first, and Greg would respond. Aleta painted five panels with acrylic paint and a resin surface. The piece then went to Greg’s studio, where he worked from her color palette. The piece was completed within two months…and the results were nothing short of spectacular.

Golds, blues, purples and subtle reds in Aleta’s panels blend together among interesting textures, and the resin finish adds a luminosity to the piece that lends itself well to the effects of Greg’s iridized glass tiles. The tiles perfectly pick up the gold and purple hues, and the three dimensionality of the steel grid adds a dynamic contrast to the surface of the piece. Just as in his own sculptures, Greg uses brass wire to attach each glass tile to the steel, adding another texture and glint of gold to the overall composition.

Meeting in the Middle (3), Pippin Reiche collaborationMeeting in the Middle, Pippin-Reiche Collaboration, 40″ tall x 12.5 feet x 3″ deep

 

Although unsure at first, Greg was amazed at the outcome.

“In the end, I think it worked beautifully,” says Greg. “The combination of her luminous, organic paintings with the linear grid structure and iridized surfaces of my glass work, worked surprisingly well. I love the way the diverse mediums play so well off each other and the incredible depth of color and luminosity of the entire piece.”

Aleta concedes. “I’m thrilled that Greg agreed to do this. Personally, I’m so excited about how beautifully it turned out and it is such a unique piece that I can see it becoming an important part of Greg’s and my work. It gives each of us the opportunity to reach a market that we weren’t as able to access on our own.”

Soliloquy - Pippin-Reiche Collaboration

Soliloquy, Pippin-Reiche Collaboration, 54 x 47 x 3″

The artists were so enthusiastic that they immediately started a second collaborative piece, Soliloquy, to hang in the gallery. This work is a bit smaller in size, 54 x 47”, but creates a similar impact with glass and steel grids moving along both sides of a vertical acrylic/resin panel, which glows with purple hues and tangible texture.

“All in all, I would say it was a fantastic match,” commented Greg. “I can see the potential for some amazing collaborations in the future, as we work together to push the boundaries even further.”

(Published March 2016) Our staff has been hard at work over the past week getting settled into our new gallery home at 409 Canyon Road. Bare walls now support vibrant paintings. Sculpture accentuates various room and creates delight in the sculpture garden. Visitors excitedly pour through to see the gallery and new work. We’re still adding finishing touches, and we along with our artists are getting excited for the upcoming season on Canyon Road. Plan to join us on Memorial Day weekend for our Grand Opening & Fifth Anniversary Celebration, and in the meantime, virtually explore the gallery through these photos:

Aleta Pippin art at Pippin Contemporary

Paintings by Aleta Pippin, glass sculpture by Suzanne Wallace Mears and sculpture by Greg Reiche

Gina Rossi art at Pippin Contemporary

Paintings by Gina Rossi, glass sculpture by Suzanne Wallace Mears

Miniature Room, Pippin Contemporary, Santa Fe

Paintings by Elizabeth Hahn

Miniature Room, Pippin Contemporary Santa Fe

Paintings – Elizabeth Hahn, Cody Hooper, Aleta Pippin. Sculpture – Guilloume and Greg Reiche

Pippin Contemporary Santa Fe

Paintings by Rebecca Haines and Margaret Nes

Pippin Contemporary Santa Fe

Pieces by John Charbonneau

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Paintings by Cody Hooper, sculpture by Greg Reiche

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Framed pieces – John Charbonneau, paintings by Cody Hooper

Pippin Contemporary Santa Fe

Paintings – Stephanie Paige, glass sculpture – Suzanne Wallace Mears

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Painting by Stephanie Paige, glass sculpture by Suzanne Wallace Mears

(Published December 2015 – Aleta retired December 2019 and closed the gallery.) Exciting news – Pippin Contemporary is not only relocating, but expanding in 2016! This February, we move to our new permanent home at 409 Canyon Road, the previous location of the Tom Ross Gallery. This means more wall space, more artists, and more contemporary art for us to share with you. We’re invigorated by the growth of our business and are looking forward to new events and ideas for the coming year, starting off with a five-year anniversary celebration and grand opening in May 2016!

Tom Ross has shared his art in this space with Santa Fe locals and visitors for the past 23 years. We plan to continue the thriving atmosphere the gallery has sustained while bringing a new and vibrant energy to this active Canyon Road location. We’ll continue to show Tom’s work along with several other artists – John Charbonneau, Rebecca Haines, Margaret Nes, Gina Rossi, Greg Skol, Elizabeth Hahn and Paul White. We’ve also been privileged to add two outstanding artists to the gallery this past fall, Adam Shaw and David Baca, and will continue to show the core group of painters and sculptors who’s work you’ve come to love over the past several years at Pippin Contemporary. Our full roster of talent will be as follows:

Painters:
Aleta Pippin
Adam Shaw
Cody Hooper
David Baca
Elizabeth Hahn
Gina Rossi
Greg Skol
John Charbonneau
Margaret Nes
Rebecca Haines
Stephanie Paige
Rosenberg (Tom Ross)

Sculptors:
Greg Reiche
Guilloume
Kevin Robb
Paul White
Suzanne Wallace Mears
Troy Pillow

We’ll be introducing our new artists on the blog over the next few months. Subscribe to our e-newsletters to stay updated on the move as well as exciting upcoming events at our new gallery space, and mark your calendars for the grand opening on Memorial Day Weekend, May 27th, 5-7pm. This will be a lively event of meeting new artists and reconnecting with current ones, as well as enjoying music and relishing hors d’oeuvres and wine. Not to mention helping to usher in the next five years!

Our goal for the 2016 season is to create a welcoming place to spend an evening immersed in Santa Fe’s art and culture, as well as the local contemporary art scene. We’re excited to share our journey with you as our business grows, and most importantly as the careers of our artists reach new heights.

Aleta Pippin in her studio(Published September 2015) Painter and Pippin Contemporary founder Aleta Pippin has followed an artistic journey of continuous exploration through various media, styles, and color palettes. From luminescent oil paintings to acrylic abstract landscapes, from poured paintings to LED lit panels, Pippin’s constant experimentation keeps her work fresh and exciting to viewers and collectors. For this show however, Pippin is revisiting her original passion for creating vibrant, abstract oil paintings, and plans to bring that energy and emotional resonance into her future artistic endeavors.

Back to the Future: The Art of Exploration opens September 23rd with an artist reception on Friday, September 25th from 5-7pm. Vivid blues, glowing yellows, and joyful pinks fill the gallery with light and evoke a feeling of happiness from the viewer. Some paintings take on a more spiritual and thought-provoking theme, while others, such as Caribbean Play, are simply about Pippin’s use of color and the emotions each tone can trigger.

Aleta Pippin Paintings at Pippin Contemporary

Caribbean Play (left) and Magical Mystery Tour hanging at Pippin Contemporary.

“The reason I continue to pursue color and light in my work is because I believe it has a positive impact on people,” explains Pippin. “My goal is to create art that when people look at it, it joyfully inspires them.”

Bloom Where You're Planted by Aleta Pippin at Pippin Contemporary

Bloom Where You’re Planted, 16×16″ oil/panel.

Pieces like Reaching Deeper, Garden’s Gate, and Bloom Where You’re Planted still burst with color, but the titles allow for a deeper perspective. According to Pippin, these paintings are about connecting with your inner self and looking past the obvious.

Bloom Where You’re Planted is all about being present where you are in life,” explains Pippin. “People are always saying, when I do this or when I get that – then I’ll be happy. But all those things are outside of ourselves. All of us can make the best of where we are at any given moment.”     

Garden’s Gate takes on a similar theme of looking beneath the obvious. It was inspired by the story of The Secret Garden, a book Pippin loved as a child and continues to read often as an adult.

Garden's Gate painting by Santa Fe artist, Aleta Pippin

Garden’s Gate, oil on canvas, 40″ x 40″

“I think the first time I read The Secret Garden may have been in the fourth grade. I loved it then. On the surface, it’s a “feel-good” story. However after reading it several times as an adult, I’ve discovered many nuggets that can be applied to everyday life challenges.”

Once Again by Aleta Pippin at Pippin Contemporary

Once Again, oil on panel, 16″ x 16″

Pippin is constantly making new discoveries through her art that lead to exciting career opportunities as well as deeper self-exploration. With painting as her third career, the journey is never ending as new passions are pursued. Once Again is a small panel bursting with energy that speaks to this theme.

“You always have new opportunities to show yourself. For me, being an artist is a life journey as well as an interior journey.”

Art Adds Sizzle
Aleta Pippin painting in collectors home

Aleta Pippin’s The Ripple Effect in a collector’s home.

(Published July 2015) You’ve just looked around your home and realize there’s something missing, something that has the power to make your décor pop. We’re talking about art. The right pieces will literally move your décor from “okay” to fantastic. So, how do you begin? Where do you look for the “right” pieces? And just exactly what are the “right” pieces anyway?

If you’re like many people, purchasing art can prove a bit overwhelming. Here are some tips to guide you, as you search out that perfect piece(s) of art, the one that will give your home that “drop dead” gorgeous look.

First, there are a few myths that need to be debunked.

Myth 1: Art should match your sofa.

Great art looks good anywhere. It doesn’t have to match your sofa. Of course if you’re getting ready to purchase a piece to be placed in a certain area, you may want to consider the color and find a piece that enhances it. However, don’t make your purchasing decision based solely on such strict criteria. Remember, if you do purchase an original piece of art, it will stay with you long after the sofa has changed, the walls have been repainted, and you’ve even relocated two or three times.

Myth 2: Original art is a good investment.

Cody Hooper’s Summer Song handing in a collector’s home in Texas.

It seems to be a common line in many galleries, to tell potential buyers that purchasing an original piece from an up and coming artist is a great investment. They’ll tell you that the artist’s prices have risen steadily over the years or that the artist is just on the brink of making it big. All of that may be true. However, unless you know people who are interested in purchasing art, you will not be able to resell your investment piece and make a profit. The only people who really make a killing in the art market are those who purchased Picasso 50 years ago.

The best reason to purchase an original piece is because you love it. I have several original pieces from other artists in my home, which were purchased because I loved them. (And yes, they are up and coming artists whose prices have risen steadily over time.)

To say that you should love a piece is not an understatement. Art should evoke an emotional response. That response may be from the color, composition, or even something intangible like reminding you of a poignant happening in your life.

Cody Hooper

Cody Hooper’s Distant Drums in a collector’s dining room.

Myth 3: My child could have painted that abstract piece.

Yes, children paint wonderful pieces, but to suggest that a child can produce some of the beautiful abstract work that is in the market is dismissing artists’ creativity too quickly. Actually, most abstract artists learn to draw and to paint representational work before they evolved to abstract work. All good art conforms to guidelines of line, shape, form, atmosphere, design, and rhythm. Each artist finds their voice, much the same as a writer, and that voice may express in paint, sculpture, stained glass and on and on. And in each of those categories, there is a myriad of expressions limited only by the artist’s imagination.

You’re Ready to Purchase

Before you go shopping, stop and consider a couple of things – Do you want to purchase an original piece of art or a retail piece and how much money are you willing to spend?

Originals vs. Reproductions

There are inexpensive reproductions found in department stores, flea markets, even retail outlets in the malls. These paintings are fairly inexpensive in the $75-$400 price range.

Giclees have been extremely popular. A giclee is a computerized reproduction of an original piece that is usually “printed” on canvas. Some artists, or their employees, paint into this reproduction, giving it the texture and look of an original piece. Usually these pieces are numbered in the lower corner, like any reproduction, so there’s no question in the buyer’s mind.

Giclees are good buys if you’d like to have a piece that looks like an original, at a lower cost. It’s also a way of collecting the work of an artist you like, but an original is out of your chosen price range. (Not all artists agree with mass production and will not produce giclees.)

Some artists create Limited Editions of their sold pieces. These may be printed on acrylic and affixed to an acrylic backing. They may be giclees as described in the preceding paragraph or they may be printed on some other structure. Since they are are Limited Editions of original work, they will probably be priced higher than the giclees found in department stores.

Nothing matches the beauty of an original piece of art. If you’ve decided to go that route and have designated the amount of money you’re willing to invest, you can probably find a piece. It may take a little doing but it will be worth it. Visit the Internet. Check out the local galleries. Talk to friends who have artwork you admire.

Aleta Pippin and Rick Stevens

 

Blue Arc by Greg Reiche

Blue Arc by Greg Reiche, commission steel and glass sculpture Blue Arc in a local New Mexico home.

What to look for in art?

Are you looking for a certain color, a certain pattern or even a certain size? If you’re purchasing an original, you should love it. If you’re purchasing art purely to finish the décor in your home, then you’ll want to find pieces that enhance the décor. There are several retail outlets that sell reproductions and prints, many already framed – Target, Hobby Lobby, Overstock.com, and Wayfair.com, just to name a few.

Why not spend a day looking at the various options. Check out artists’ websites, local galleries, as well as the retail outlets. You may decide to purchase an original after you see all of the amazing art that is available. And don’t forget the outdoor Art Festivals; these are a wonderful way to connect with an artist and to purchase an original piece.

If you choose to purchase an original, do a background check. Ask about the artist’s career, sales history, and make an intuitive assessment of the integrity of the person trying to sell the piece to you. Personally, I think original work truly adds to the quality of any environment.

Have fun with this. Take your time. The right piece will show itself. And it’s worth finding it, because art will add sizzle to your décor.

© 2002 by Aleta Pippin, abstract painter, updated July 2015. 

Edible Art Tour with Jambo's at Pippin Contemporary

(Published June 2015) Last night was ARTsmart’s Edible Art Tour on Canyon Road. Twenty-five galleries hosted Santa Fe’s top restaurants for a delicious and spirited evening of art and hors d’oeuvres. We had a great night at Pippin Contemporary with Chef Ahmed Obo from Jambo Cafe and African drum and dance group Agalu. All ticket proceeds for this event went towards arts education in local public schools – thanks for your support!

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Pippin Pics 2015

(Published May 2015) This week at Pippin Contemporary we watched artists paint on Canyon Road, hung new art in the gallery, and visited with our friends from American Art Collector Magazine. Check out our week in photos and follow us on Instagram @PippinAbstractArtist for more behind-the-scenes Pippin Pics!

Cody Hooper Art at Pippin Contemporary

Cody Hooper paid us a visit on Saturday with these stunning paintings full of energy and light. We hung six new pieces in the gallery – visitors keep commenting on their depth, saying that peering into his panels is like entering another world.

Canyon Road Passport Quick Draw

Local artists lined the street on Canyon Road for the Passport to the Arts Quick Draw, where they created beautiful works of art in a short time frame. The paintings were then sold at a live auction benefiting the Santa Fe Public Schools Music Education Program.

Mode by Troy Pillow at Pippin Contemporary

New sculpture! ‘Mode’ by Troy Pillow is a contemporary stainless steel piece with kinetic elements.

American Art Collector Party

Gallery Director Ashley Wilson and Marketing Director Kelly Skeen at the Art Collector Magazine party at the beautiful La Posada. Always a great event with the Santa Fe art community..and with great hosts!

Greg Reiche at Pippin Contemporary

Greg Reiche brought several new Bloom sculptures in preparation for his upcoming show, “Into the Wind,” opening next Friday. More new pieces are on the way – and big things will be happening to our courtyard!

Mark Rothko at SFMOMA

Non-figurative. Stripped of allusion. Painting in its purest form.
Art lacking subject. Non-representational. Non-objective. Departure from reality. The true essence of art.

(Published May 2015) How do we define abstract art? How do we appreciate it, understand it? Critics, art historians, gallery owners, and artists have come up with copious explanations of abstraction, but the real beauty of abstract art is that it’s true definition and interpretation lies within the viewer. While some artists may have deeper intentions for meaning and message, abstract art is largely a style that provides freedom of interpretation.

When you see an abstract painting hanging in a gallery or museum, the dialogue between artist and canvas has long been completed. It’s now your turn as the viewer to finish the story, or start your own conversation.

“Art is an experience, not an object.” – Robert Motherwell

While abstract art leaves room for open interpretation, it is also helpful to gain an understanding of the movement in order to fully appreciate the artist’s talent and intention. Impressionists in 19th century Paris were the first to break from realism in art, incorporating the effects of light and perspective on a subject to depict an “impressionistic” view rather than a realistic one. From here, expressionist artists of the 20th century continued to dive deeper into the art of abstraction, infusing mood and emotion into their work with painterly style and intense color.

Abstract Expressionism followed as a dramatic movement that is most often associated with the birth of abstract art. Artists of this period, such as Jackson Pollock, used the paint itself as a subject as well as the their relationship with the material. Art became a reflection of the spiritual mind, subconscious ideas, and the artist’s (often very complex) emotions, all communicated through abstract compositions of expressive line and color.

Jackson Pollock at work in Long Island, New York, 1950. Photograph: David Lefranc/Kipa/Corbis

Jackson Pollock at work in Long Island, New York, 1950. Photograph: David Lefranc/Kipa/Corbis via The Guardian

Just like when it was first introduced in the 20th century, reactions to abstract art today are dramatically different from one person to the next. Abstract artists are given the challenge to connect with the viewer through pure movement and color, rather then realistically portraying a familiar scene that calls for familiar emotions. Standing in front of the same painting or sculpture, one person may be disturbed while another is intrigued. Neither viewer is wrong in their interpretation; abstract art encourages our most abstract thinking and gut feelings.

So, how do we define the abstract? Defining abstract art is nearly as open as interpreting it, but who better to ask than the artists themselves? We talked to our painters and sculptors at Pippin Contemporary to find out why they choose to work in abstract and how they would define the style. Here are some of their responses:

Aleta Pippin - interpretation of abstract art

 

Cody Hooper Quote

Suzanne Wallace Mears Quote

Greg Reiche Quote

Join us at Pippin Contemporary this summer as we celebrate abstraction with contemporary art exhibitions of oil, acrylic and mixed-media painting, as well as bronze, stone, steel and glass sculpture. We encourage you to share your own interpretations with us as you view art in the gallery.

Pippin Pics of the Week

(Published May 2015) A public sculpture dedication, new paintings, and excitement for our upcoming show this month. Check out our week in photos and follow us on Instagram for more Pippin Pics @PippinAbstractArt.

Aleta Pippin art at Pippin Contemporary

Aleta Pippin brought in several new paintings from her studio that we hung in the gallery. This piece is called Celebrate Color, a 60″ x 36″ oil/canvas. Come visit the gallery to see Aleta’s other new pieces!

Greg Reiche Public Sculpture

We spent Earth Day in Los Alamos for the grand opening of the new Nature Center where Greg Reiche’s sculpture was dedicated. The rain runoff from the roof cascades onto the stone, then goes into a reservoir that waters surrounding plants, while kinetic glass above it changes with light and air movement. A stunning sculpture and a beautiful Earth Day dedication ceremony.

Desert Rain by Cody Hooper at Pippin Contemporary

We love Cody Hooper’s artistic depiction of the “Desert Rain” we had this week. We’ve been sharing some paintings on Instagram from our artists that aren’t always hanging in the gallery or not yet added to the website…follow us @PippinAbstractArt for more “first look” opportunities.

Pippin Contemporary in Santa Fe New Mexico

We’re ready for Santa Fe summer – less than three weeks until our first show and then the Summer of Color begins!

Peggy Guggenheim with Jackson Pollock

Peggy Guggenheim and Jackson Pollock in front of Mural, 1943, first floor entrance hall, 155 East 61st Street, New York, c. 1946 (Photo: George Karger © 2013 Pollock-Krasner Foundation / Artists Rights Society (ARS), New York)

“The collector is an artist in his own way, by the way he puts things together.
You can read a person’s soul from their collection.”
-Ayers Tarantino, Art and Antiques

(Published April 2015) Why collect? Collecting art is more than just buying pretty objects. As an art collector, you are an arts supporter, a part of art history, and are able to tell a story through unique acquisitions that reflect your tastes, ideas, and experiences. Whether you follow a single artist’s career, a specific genre, or have an eclectic range of work, art collecting is not something seasoned buyers of the art world take lightly. The pieces you acquire reflect your personality and distinguish your style. Collecting art becomes more than a hobby of buying beautiful things – it becomes a treasure hunt, a philosophical pursuit, an unyielding passion.

“I collect these objects to learn from them. In some moment these things are going to teach me something.
For me, this is like a library. These are my books.”
-Joes Bedia in ARTNews

As an art collector, not only are you culturally fulfilling your own world, you are making a difference in the life of an artist by becoming an instrumental part of their career. Throughout history, collectors have shaped the art world in subtle and overt ways. Modern art collector Peggy Guggenheim was influential in the career of early American expressionists Jackson Pollock, Mark Rothko, and Robert Motherwell as the first to publicly exhibit their work in her gallery. Gertrude Stein’s early support of Pablo Picasso and Henri Matisse through passionate acquisition and advocacy led them to become household names and arguably the most famous artists of the 20th century. Van Gogh, with no one to appreciate his swirling brushstrokes and vivid color, lived a life unknown; it wasn’t until the last year of his life and after his death that his work received the fame it deserved after finding it’s way into public and private collections.

“You can either buy clothes, or buy pictures.”
Gertrude Stein

Today, collecting art is seen by some as a luxury, others as a necessity. During times of economic downturn, the art market saw an all-time low, however, 2014 topped the charts as the highest year in history for art sales. This is in part due to new trends in the art world such as fairs, as well as Internet sales through sites such as Artsy and Artnet, that are broadening public engagement and attracting younger buyers. The top three art markets in the country remain as New York, Los Angeles, and our home city of Santa Fe. With 200 galleries in two square miles, Santa Fe is the most concentrated market – and the most historic. At over 400 years old, Canyon Road boasts over 100 galleries in its half-mile stretch. At Pippin Contemporary, we welcome tourists, art collectors, and art enthusiasts at the base of this iconic street.

“Santa Fe’s unique art scene can be compared to the cultural experience of an art fair, but with year-round accessibility. The density of diverse and high quality art in Santa Fe is unlike any other in the country, maybe even the world.”
-Aleta Pippin, Gallery Owner

Collectors continue to be highly influential in the always-changing art world. In Santa Fe, you as the collector keep galleries in business and contribute to the family-like feel of our close-knit art community. You give artists the opportunity to thrive through a creative career as they share their inner emotions and expressions through their work, and in turn create a portal where you see your own spiritual sentiments reflected.

“We collectors know that art communicates with us on different levels. Language and culture are no barriers.”
-Barbara Trapp, Art and Antiques

What's Aleta Up To?!